Como te llama?
It's always exciting and nerve wracking at the same time when one of your favorite music artists release a new album. If it's good and exceeds your expectations, then hot damn, it just makes you fall deeper in love with the man or woman that can strum your heart strings and make you sway to the music. But if it's bad? God. If it's bad. Well, I cry. I don't know about the rest of you, but it's like I have to bury them and mourn the loss of one of my best friends.
Luckily for me, Albert Hammond Jr.'s second album, Como Te Llama?, rocks my motherfucking socks. For those of you who don't know him, I have to ask, um, why? He went to pursue a solo career from one of my ultimate favorite bands EVER, The Strokes, and I think it was a really good move on his part. I love The Strokes; lord knows that I would give anything to have even two minutes with that gorgeous god that is, Julian Casablancas (what a fucking cool name as well), but their third album was a bit...meh. I know, I loved it when it first came out, and it is a respectable third album. HOWEVER, it just didn't move me the same way that their first two albums did. With songs like Reptilia, Alone Together and Hard To Explain, how can you really top yourself?
And then I thought, what is it that makes an album a good album, a great album even? An epic album? Is it the catchy tunes? Is it that those songs represent a specific time in one's life that can transport them back to an era that wasn't so demanding and more carefree? Is it the lyrics? Is it that one particular guitar solo, or drum beats that make your toes tap along uncontrollably?
What is it exactly?
Really, I would have to say that it's a combination of all of the above. There are some albums that I listen to and think, not exactly my personal favorite, but I can't deny that this is a damn fine album. But then there are others that are just so disappointing that I want to find a dark corner and cry. Take Coldplay's recent album. Seriously, what is that bullshit? I've listened to it twice the whole way through and it makes my skin crawl. I just have to ask, what happened? Where did they go wrong?
I blame Gwyneth. Way to kill the music. Things were fine before she came along. They were churning out songs like Sparks, We Never Change and Amsterdam. I mean, yes, they were huge, popular and known all around the world, but the music was still epic, and moved 20,000 of their fans in the Nissan Pavillion to sing along to In My Place. Then she came along and next thing you know that shit song, Green Eyes comes out on their third album, X&Y. Lame. It upsets me.
I have to say that I've moved on from The Killers now as well. They're so cocky and up themselves these days, part of me feels sad for them. Their second album, Sam's Town was mediocre at best. Yeah, I loved the few ballad songs that they had on there, but after the first five songs, the rest of the album kind of deflates and you're left with filler songs that aren't exactly fulfilling, but leave you feeling empty. I hope their next album isn't some chop house attempt at music like Sawdust. I didn't even buy that album it upset me so much. Why was I going to pay full price for songs that I already had? You shouldn't try to milk more money out of your fans. You should do your job and create more beautiful music that's worth paying for.
I don't listen to the radio, partly because I can't stand the commercials after every two songs. It's annoying and changing stations every five minutes gets old really quickly. Instead I go by other people's recommendations (generally Helen or Ryan), and scour the internet for up and coming bands that haven't been corrupted by big labels that force them to be creative and musical when they don't have anything left; or by Mtv and the glitz and glam of the stupid Grammy's. I hate the Grammy's.
So it makes me happy that Mr. Hammond Jr. has given his fans a second album that I can both respect and enjoy at the same time. It's creative and slightly experiemental, but not so crazy to the point where his fans from the Yours To Keep era won't recognize him; yet at the same time, his new fans can still get a flavor of his old sound while still enjoying his newest songs. Spooky Couch is not so much spooky as it is just a pleasant instrumental break in the album that actually made me smile while I was on the bus this morning. Gfc is radio friendly, and has more of a classic Albert sound that has already had multiple plays on my iPod. And then you've got songs like Rocket and Victory At Monterey that are definitely a different sound to get used to, but you do so happily and welcome the change with open arms, not a face of absolute disgust.
* Correction: Because I am shit and don't take the time to research my posts like I should (I'm impatient), Melissa was awesome and pointed out that 'Green Eyes' is not off of Coldplay's third album, X&Y, but rather their second album, A Rush of Blood to the Head. And I have to say, if that's the case, then maybe it isn't Gwyneth's fault. Maybe Chris Martin is just creatively tapped and hopefully one day he will return to us. I hope so. And thanks again to Melissa for showing me the error of my ways.